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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ST. LOUIS POST-DISPATCH, SLATE, AND THE TELEGRAPH
This brilliant novel by the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March takes us on a radical trip into the mind of a man who, more than once, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. As he peels back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Probing, mischievous, and profound, Andrew’s Brain is a singular achievement in the canon of an American master.
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“Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow’s remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.”—USA Today
“Andrew’s Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he’s both maddeningly self-delusive and scarily self-aware: He’s a fool, but he’s no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character’s whirligig consciousness, can.”—The New York Times Book Review
“A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [Andrew’s Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.”—The Sunday Times (London)
“Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.”—San Francisco Chronicle
“Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they’ve never imagined.”—The Plain Dealer
“Andrew’s ruminations can be funny, and his descriptions gorgeous.”—Associated Press
“[An] evocative, suspenseful novel about the deceptive nature of human consciousness.”—More
“A quick and acutely intelligent read.”—Entertainment Weekly
- Sales Rank: #761541 in Books
- Published on: 2014-10-21
- Released on: 2014-10-21
- Original language: English
- Number of items: 1
- Dimensions: 7.94" h x .59" w x 5.15" l, .81 pounds
- Binding: Paperback
- 224 pages
Amazon.com Review
An Amazon Best Book of the Month, January 2014: From the start of this magnificent novel, we’re told that “Andrew” has done bad things. “I am numb to my guilt … incapable of punishing myself,” he tells the unnamed man he calls “Doc.” The things we don’t know about these two men are numerous. Where is Andrew? Who’s he speaking with? A shrink? A cop? And why? It gives nothing away to state that the unraveling of those and other questions is what makes this such a strange and compelling page turner. Via the tense Godot-like conversation/interrogation, we’re slowly exposed to Andrew’s life. Or at least a version of it. “You don’t know everything about me, Doc, you’re only hearing what I choose to tell you,” Andrew says. And later: “We’re all Pretenders.” We learn Andrew gave up his daughter to an ex-wife after his second wife died on 9/11--an event that echoes menacingly throughout this wise, witty, and unnerving examination of truth and memory. The conversation between two people who clearly know each other well, but distrust each another more, keeps us on shifting ground throughout. We eventually learn of Andrew’s murky role in the basement of a post-9/11 White House, and his run-in with characters named Chaingang and Rumbum. “Jesus, I don’t know why I talk to you,” Andrew huffs more than once. Not until the final page do we discover, he must. --Neal Thompson
From Booklist
*Starred Review* A man is talking about a friend, a cognitive scientist named Andrew, but it doesn’t take long for the person listening to him, possibly a psychoanalyst, to ask if he, in fact, is Andrew. He says he is. Furthermore, he reports that he’s numb to all emotions and that he hears voices. Worse yet, he’s been living under some sort of cosmic curse, unintentionally precipitating catastrophes right and left while he walks through the flames unscathed. There is much that is eerie and odd about Andrew’s exchanges with an unidentified, mostly silent interlocutor, and the stories he tells induce us to question his veracity and sanity. Did he cause a fatal car crash? An infant’s quiet death? A woman’s disappearance on 9/11? Did he drink cocktails with midgets? Hang out with the president during their Yale days? In stunning command of every aspect of this taut, unnerving, riddling tale, virtuoso Doctorow confronts the persistent mysteries of the mind—trauma and memory, denial and culpability—as he brings us back to one deeply scarring time of shock and lies, war and crime. Writing in concert with Twain, Poe, and Kafka, Doctorow distills his mastery of language, droll humor, well-primed imagination, and political outrage into an exquisitely disturbing, morally complex, tragic, yet darkly funny novel of the collective American unconscious and human nature in all its perplexing contrariness. --Donna Seaman
Review
Praise for Andrew’s Brain
“Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow’s remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.”—USA Today
“Andrew’s Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he’s both maddeningly self-delusive and scarily self-aware: He’s a fool, but he’s no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character’s whirligig consciousness, can.”—The New York Times Book Review
“A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [Andrew’s Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.”—The Sunday Times (London)
“Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.”—San Francisco Chronicle
“Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they’ve never imagined.”—The Plain Dealer
“Andrew’s ruminations can be funny, and his descriptions gorgeous.”—Associated Press
“[An] evocative, suspenseful novel about the deceptive nature of human consciousness.”—More
“A quick and acutely intelligent read.”—Entertainment Weekly
“Mind-bending . . . a fascinating and perplexing examination of a human being, invented by Doctorow but very real, who has suffered great trauma and desperately needs to believe he is not a monster.”—St. Louis Post-Dispatch
“Absorbing . . . In Doctorow’s capable hands, Andrew is revealed to be a unique and sympathetic character—you’re just never sure whether he’s a redeemed lout or criminally insane. . . . Besides the wonderful prose, the book has humor and warmth and entertaining twists of plot.”—Houston Chronicle
“This is a brief book and, like many of the author’s recent offerings, a seemingly simple pleasure. But Doctorow cannot do anything simply, and he can’t help but write well. His lines in passing are the sort that other writers might work for years to perfect. And his insights, beautifully embedded in an irresistible story, are worthy of the best sort of big book.”—Minneapolis Star Tribune
“[Doctorow] locates and amplifies the human emotions that lend poignancy to particular moments in individual lives. . . . He illuminates these concepts by taking us inside the mind of a fully formed figure—a man whose pain, fear, desire and suffering we come to know and identify with. The journey from this novel’s unsettling, parabolical beginning to its ambiguous end is frequently disorienting, but it’s worth the trip.”—Pittsburgh Post-Gazette
“In stunning command of every aspect of this taut, unnerving, riddling tale, virtuoso Doctorow confronts the persistent mysteries of the mind—trauma and memory, denial and culpability—as he brings us back to one deeply scarring time of shock and lies, war and crime. Writing in concert with Twain, Poe, and Kafka, Doctorow distills his mastery of language, droll humor, well-primed imagination, and political outrage into an exquisitely disturbing, morally complex, tragic, yet darkly funny novel of the collective American unconscious and human nature in all its perplexing contrariness. Word will travel quickly about this intense and provocative novel by best-selling literary giant Doctorow.”—Booklist (starred review)
“Through this dialectic narrative, Doctorow connects to the common theme seen throughout his work: one’s history is often a battle between memory and self-struggle to maintain an image of morality and adequacy. Doctorow deftly captures the complex but beautiful vagaries of life in clean, simple language.”—Library Journal (starred review)
Praise for E. L. Doctorow
“On every level, [Doctorow’s] work is powerful. . . . His sensitivity to language is perfectly balanced, and complemented by a gigantic vision.”—Jennifer Egan
“E. L. Doctorow is a national treasure, and I mean this in a very specific sense: He has rewarded us, these forty-five years, with a vision of ourselves, as a people, a vision possessed of what I might call ‘aspirational verve’—he sees us clearly and tenderly, just as we are, but also sees past that—to what we might, at our best, become.”—George Saunders
“[His great topic is] the reach of American possibility, in which plain lives take on the cadences of history. . . . Doctorow’s prose tends to create its own landscape, and to become a force that works in opposition to the power of social reality.”—Don DeLillo
“A writer of dazzling gifts and boundless imaginative energy.”—Joyce Carol Oates, The New Yorker
“One of our greatest living writers . . . a virtuosic storyteller with enormous range.”—People
“Doctorow is a magician. . . . His prose is dazzling.”—Vogue
From the Hardcover edition.
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